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[½ÃÇ赶ÇØ] 2005 ¼ö´É µ¶ÇØ - Q 31
ÃÖ°í°ü¸®ÀÚ  |  12-08-12 15:45

(2005 ¼ö´É) 31. ´ÙÀ½ ±ÛÀÇ ÁÖÁ¦·Î °¡Àå ÀûÀýÇÑ °ÍÀ» °í¸£½Ã¿À.

Painting restorers are highly trained in their techniques,
but they would have to be the original painter to know
exactly what to do with the work at hand. Technical aspects
of the work, such as dirt removal, are quite straightforward.
What is important is to bring a painting back to an artist s
original intent. In order to do so, they have to decide if
they should add something to the painting or leave it as it
is. They admit it is extremely difficult to determine what
should and should not be retouched. Our goal is to respect
the artist s intent, but at the same time to make it a visually
coherent work of art, says Michael Duffy of the Museum
of Modern Art in New York.

¨ç ways of training painters
¨è simplicity of appreciating paintings
¨é techniques of removing dirt
¨ê maintaining the original painter s intent
¨ë distinguishing the original from the fake

[Á¤´ä] ±ÛÀÇ ÁÖÁ¦ Ãß·Ð Á¤´ä ¨ê

ȸȭ º¹¿ø°¡µéÀº °íµµÀÇ ±â¼ú ÈÆ·ÃÀ» ¹ÞÀº »ç¶÷µéÀÌ
´Ù. ±×·¯³ª ÀÚ½ÅÀÇ ¼Õ¿¡ ÀÖ´Â ÀÛÇ°À» ¾î¶»°Ô ÇØ¾ß ÇÒÁö
Á¤È®È÷ ¾Ë±â À§Çؼ­´Â ¿øÀÛÀÚ°¡ µÇ¾î º¼ ÇÊ¿ä°¡ ÀÖ´Ù. ¸Õ
Áö Á¦°Å¿Í °°ÀÌ ±â¼úÀûÀÎ ¸é¿¡¼­ º¼ ¶§ ÀÏÀº ¾ÆÁÖ °£´Ü
ÇÏ´Ù. Áß¿äÇÑ °ÍÀº ±×¸²À» È­°¡ÀÇ ¿ø·¡ Àǵµ´ë·Î µÇµ¹·Á
³õ´Â ÀÏÀÌ´Ù. ±×·¸°Ô Çϱâ À§Çؼ­, º¹¿ø°¡´Â ±×¸²¿¡ ¹«¾ù
Àΰ¡¸¦ ´õÇØ¾ß ÇÒÁö, ¾Æ´Ï¸é ±×´ë·Î µÎ¾î¾ß ÇÒÁö¸¦ °áÁ¤
ÇØ¾ß ÇÑ´Ù. º¹¿ø°¡µéÀº ¾î¶² °ÍÀ» µ¡ºÙ¿©¾ß ÇÒÁö ¸»¾Æ¾ß
ÇÒÁö¸¦ °áÁ¤ÇÏ´Â ÀÏÀÌ ¾ÆÁÖ ¾î·Á¿î ÀÏÀ̶ó°í °í¹éÇÑ´Ù.
´º¿å Çö´ë ¹Ì¼ú ¹Ú¹°°üÀÇ Michael Duffy´Â ¡°¿ì¸®ÀÇ ¸ñÇ¥
´Â âÀÛÀÚÀÇ Àǵµ¸¦ Á¸ÁßÇÏ´Â µ¿½Ã¿¡ ±×°ÍÀ» ½Ã°¢ÀûÀ¸·Î
ÀÀÁý·Â ÀÖ´Â ¿¹¼ú ÀÛÇ°À¸·Î Ç¥ÇöÇØ ³»´Â °ÍÀÔ´Ï´Ù.¡±¶ó°í
¸»ÇÑ´Ù.

* restore : º¹¿øÇÏ´Ù, ȸº¹½ÃÅ°´Ù
* straightforward : °£´ÜÇÑ, ¼Õ½¬¿î
* coherent : ÀÏ°ü¼º ÀÖ´Â, ÀÀÁý¼ºÀÇ

ȸȭ º¹¿ø°¡µé¿¡°Ô À־ °¡Àå Áß¿äÇÑ ÀÏÀº âÀÛÀÚ
ÀÇ ¿ø·¡ Àǵµ¸¦ ±×´ë·Î µÇ»ì·Á ³»´Â ÀÏÀ̶ó´Â °ÍÀÌ ÀÌ
±ÛÀÇ ÇÙ½É ³»¿ëÀ̹ǷÎ, ÀÌ ±ÛÀÇ ÁÖÁ¦·Î´Â ¡®¿ø·¡ È­°¡ÀÇ
Àǵµ¸¦ À¯ÁöÇÏ´Â ÀÏ(maintaining the original painter's
intent)ÀÌ °¡Àå ÀûÀýÇÏ´Ù.